Guide to Japanese patterns: Syoubu, iris field

Ando Hiroshige (1797-1858) Iris ensata by Pam (author of Tales From The Microbial Laboratory) 2nd in a Japanese design series (updated below)
Draggin' the line


During the Edo period in Japan (1603-1868), horticulturalists began planting fields of hanashobu iris (Iris ensata) near cities and towns – fields where people naturally came to admire the blossoms and which may have been the forerunners of the Japanese public garden. The Horikiri Iris Garden (Horikiri Shobuen) in Tokyo was established in 1801-1804 and still attracts visitors during Iris Festival (Katsushika Shobu Matsuri) in June.

In addition to hanashobu iris, other iris and iris-like species native to Japan include ayame iris (I. sanguinea), kakitsubata iris (I. laevigata) and shobu (Acorus calamus, commonly called "sweet flag," a medicinal plant). Hanashobu, ayame and shobu inhabit wet areas near marshes and riparian zones.

The Japanese relationship with iris embraces cultural traditions more sweeping than just horticulture. In the Japanese language, the word "iris" (shobu) is homonymic with a word meaning "military spirit." From early-on, the Japanese associated iris with militarism, which included recognizing the sword-like shape of the iris leaf and, hence, organizing men's participation in ritual "iris combat" (shobu-uchi). Such mock battles began during the Nara period (710-794) and became formalized during the Kamakura period (1185-1333). They were rituals celebrating iris as a protector, and they complemented the purifying and fertility rites of spring. This Shinto ritualism took place in the 5th month (May) and became known as Shobu-no-sekku (Feast of the Iris). Over time, Shobu-no-sekku became conflated with Tango-no-sekku (Boys Day), which historically included both martial displays and symbolism connoting the evocative properties of iris. Before the Japanese calendar was modernized, Shobu-no-sekku and Tango-no-sekku were celebrated closer to the height of iris blooming.

Shinto rituals and festivals often included the decoration of clothing and ritual dress with iris and the use of iris as body ornament. The syoubu pattern (also transliterated as "shoubu") captures these adornment traditions, as well as representing the riparian ecology of iris.

Syoubu depicts a riparian habit by positioning the rows of the pattern slightly askew, to suggest a water reflection. Alternatively, syoubu may include a depiction of flowing water.

Syoubu pattern shares formal similarities with the reed pattern (another water-loving plant), as both patterns depict upright, sword-like leaves and a central stem. Syoubu pattern does not necessarily include a depiction of the iris blossom, and the reed pattern never does.

Examples of syoubu pattern:

Syoubu, iris field
Syoubu, iris field Syoubu, iris field











UPDATE, Tuesday, May 13, 2008: Included above is an original photograph by Pam (author of Tales From the Microbial Laboratory) of a quite beautiful Iris ensata blooming in her South Carolina garden.

Guide to Japanese patterns: See the series.

 Digg 

 

What did you think of this article?




Trackbacks
  • No trackbacks exist for this entry.
Comments

Leave a comment

 Enter the above security code (required)

 Name

 Email (will not be published)

 Website

Your comment is 0 characters limited to 3000 characters.